Eglon Hendrick van der Neer: Judith, 1678.

This painting came into the possession of the National Gallery through the Salting bequest 1910. They write about it:

The prominence of the figure of Judith, the portrait character of her face, her dress, and the subsidiary position of the maid and the head of Holofernes make it likely that this is a portrait of a young woman in the guise of the Jewish heroine.

Portraits as Judith were popular with female patrons, since this Biblical heroine was considered the epitome of virtue.

Benedetto Gennari II hails from a dynasty of painters, going back to his grandfather who bears the same name. He studied under Guercino in Bologna and inherited his studio in 1666. But he was a restless spirit, and his admiration for the Sun King drove him to Paris six years later. The French nobility received him with open arms, and the multitude of commissions encouraged him to prolong his stay.

In September 1674, he moved to London where he became court painter to King Charles II. This is one of the first paintings he created in his new position.

Who is this Jean Garnier, who painted this Allegory of Louis XIV, Protector of Arts and Sciences, a strange combination of portrait and still life in 1672? There is a jesuit scholar of this name, whose life dates would match, but was he a painter too? Jean-Marc Onkelinx examined the symbolism of the picture closer, but he says nothing about the artist either.

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