Baccio Bandinelli: Self-Portrait, c. 1530

Though he was born in London, both of Dante Gabriel Rossetti’s parents were at least part Italian. His father had emigrated, seven years before his birth, for political reasons. His mother was born in England to an Italian father and an English mother. Poetical blood ran in both families. His sister Christina was a poet as well.

This is his earliest self-portrait, drawn in black and white chalk on tan paper in 1847, when he was nineteen. He started writing poems at this time, “Autumn Song” is from the next year.

Jean-Étienne Liotard Viennese self-portrait is not, as I thought, the oldest one to survive. There are at least two earlier ones, one in pastel from 1737, and this one, an oil painting that shows him at about thirty years of age, when he was in Paris.

Hannah Williams has written an essay about Liotard’s numerous self-portraits.

The second but last of the many self-portraits of Sir Joshua Reynolds, 1780, when he was fifty-seven years old.

This is the earliest self-portrait of Sir Lawrence Alma-Tadema, from 1852, when he was a sixteen years old boy in Friesian Dronrijp named Lourens Tadema. The year before he had suffered a physical and mental breakdown. Diagnosed as consumptive, with only a short time to live, the boy, who should have become a lawyer, was allowed to spend his remaining days at his leisure, drawing and painting. But he regained his health, and entered The Royal Academy of Antwerp in 1852.

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J.E. Liotard de Geneve surnommé le Peintre Turc peint par lui meme à Vienne 1744

Jean-Étienne Liotard, who became famous mostly for his pastels, was born and died in Geneva, but lived and worked most of his life in other places. He studied in Paris under François Lemoyne, who recommended him to the French ambassador to Naples. He spent a few years in Rome and accompanied Lord Duncannon to Constantinople, where he adopted Turkish costume and grew a beard. In 1742 he went to Vienna, where he drew this self-portrait, pastel on paper. He was forty-two years old.

This is not, as I originally thought, his oldest self-portrait to survive, there are at least two earlier ones, with the first dating back to his time in Paris ten years earlier. But it’s probably the first one to show him in Turkish garb with a beard.

A self-portrait by Bernini when he was about twenty-five years old. This was the time when the Ludovisi Ares was found, which he restored.

This self-portrait is Pierre van Hanselaere’s earliest known work. He painted it in 1817, shortly after his arrival in Rome. He was thirty years old at the time.

I have written before that correct anatomy is an art that was rediscovered south of the Alps first, while the same is not necessarily true for realistic portraiture. For the latter, there is probably no better example than this portrait (possibly a self-portrait) by Jan van Eyck. It was painted in 1433, and not much has been added to the art of portraiture in the following centuries.

Peter Paul Rubens: Self-portrait with his wife Isabella (c. 1609)

Rubens married Isabella Brant, the daughter of an important city official in Antwerp, in October 1609. He was thirty-two, had returned from his long trip to Italy half a year earlier and had just been appointed court painter by Albert VII, Archduke of Austria, sovereign of the Low Countries, with special permission to base his studio in Antwerp instead of at the court in Brussels, and to also work for other clients. She was eighteen. In this life-size double portrait now in the Alte Pinakothek, often known simply as The Honeysuckle Bower, he celebrated his new marriage.

Isabella sat for several portraits by her husband and his student Anthony van Dyck before she died of the bubonic plague, not yet thirty-five.

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